Faces of Mambegu: Christina

IMG_3929Living alone in a small village in rural Tanzania is no easy feat. This is probably the greatest challenge of Peace Corps: for two years, you face isolation, loneliness, and the never-ending questions from “Host Country Nationals” (HCNs) about why you’re just so weird and is everyone in America just like you? It’s overwhelming! Not a day goes by that I am not lonely or homesick in some way. A year ago, my naïve self thought those feelings would eventually fade. Now I realize they’re just a part of the process, and I appreciate them for helping me realize how valuable my family and friends at home are. On the days when I’m really lonely and needing a friend to chat with, I head over to my friend Christina’s shop in the center of the village.

Christina is one of our two village seamstresses. She custom makes 90% of my clothes and does an amazing job, all for a very small price (skirts: $4, shirts: $3, Dresses: $6). Every morning and evening she can be found in the shop, sewing all the women’s clothes, repairing school uniforms for children, and sharing village gossip and laughs with many of the young women in the village. She originally learned to sew as a child so that she could make some extra money and help her parents. Then she fell in love with the work and wanted to continue. On top of sewing clothes, she is also a mother of an adorable two year old, and she runs a 3 acre farm with her husband, where they plant corn, beans, sunflowers, and squash every year. She’s also just the coolest person around.

The first time I sat in Christina’s shop I found myself surrounded by 9 Tanzanian mamas firing off question after question at me. I loved the experience because I got to really tell these women what Americans are like, why I behave the way I do, and explain the differences in the U.S. and Tanzania. I enjoy chatting with women in Christina’s shop because I know whatever I say will get out to the rest of the village quickly, so if there are rumors or stereotypes flying around, this is my best bet at shooting them down and relaying accurate information about myself.

If you want to know what kinds of conversation we have in her little shop, here is a sample:

  • Why do Americans have more money than Africans?
    • This is such a tough question and it always comes up! If only I could tell them that I spent entire college semesters in classes trying to dissect this very question. Because I live here, and I have witnessed the expectation of wealth on behalf of a foreigner and the dependency that has developed in Tanzanian culture, I try to explain that Tanzanians think foreigners have a lot of money because they meet the ones that have enough money to travel here, but there are many without money, and even without homes. They cannot believe our country would just let people sleep on the street!!! This is so unheard of and sad to them, because in the village it is just unfathomable that you would ever let someone go without food or a house. Anyways, once I explain that Africans who can travel to the US also appear to have a lot of money, but that doesn’t mean all Africans have money, they seem to understand. I will write another blog post soon about aid-dependency, but for now these are the conversations we’ve been having.
  • Why do Americans only have two children?
    • It is unbelievable to these mamas that mothers would choose to only have two children! I haven’t told them yet about families who choose to have only one child or no children at all. I try to explain that many families try to plan for the number of children they can financially support and still give a great life: education, food, clothes, etc. are expensive in the U.S.! But here children are viewed as wealth, especially because families are so tight-knit here that children often help out with farm work and if they get good jobs as adults, financially support their parents.
  • What do you cook in your house?
    • NOT UGALI THAT’S FOR SURE!!! But I don’t tell them that J
  • Why don’t you have a family? Why do you like to live alone?
    • This is always a toughie. Mamas love to tell me “umechelewa” which means “you’re late!” in regards to having children. It is unfathomable that a 25 year old wouldn’t have children or a husband. I think most of the time they’re trying to figure out what’s wrong with me that no man wants to marry me. Trying to marry me off is also a common occurrence in Christina’s shop! I can usually expect one eligible bachelor per day that the mamas present to me. I also try to explain that I actually don’t enjoy living alone, and that’s why I travel to town every couple of weeks: so that I can visit my friends! Somehow I think they don’t believe me, and they probably assume that all Americans live alone.
  • Will birth control give us cancer?
    • No, no, no, and no. We have this conversation ALL THE TIME and I will never grow tired of it because this is a widely held belief by women of all ages in the village. I also feel really happy that women feel comfortable enough with me now to talk about such taboo topics.
  • Why won’t you stay for five years? We can give you land…
    • This always is so sweet and makes me feel really wanted and welcome here. It’s also heartbreaking to know my time is ending so soon and it’s going so fast. It’s not fair to them to get to take someone from another country in as their own, help them out, suffer through their awful Swahili, give them gifts, show them love, and have them leave two short years later. But I hope they’ll forgive me and remember the good times we had in Christina’s little shop!

So many uplifting conversations have happened in Christina’s shop, and I can always expect to feel happier after visiting her. She sits atop her ironing bench, smiling down at me and asking questions about my life. She always hands me a chair and wants me to stay just a little longer. She is always my in-person reminder about body positivity: She sits full-figured and strikingly beautiful, confident, happy, always smiling, and asking if I want some food. She lights up the room, and people always want to come sit around her while she’s working, just to soak up some of her conversation. I’m one of those people.

When I explained to Christina I would be writing a blog post about her, and asked if she had anything she wanted to say to Americans, she smiled bashfully, cast her eyes downward, and thought for a bit. When she raised her head she had this to say:

“I pray to God for peace and happiness for your parents. I am so thankful to them and all Americans who sent you here to live with us. I have so much happiness living with you here.”

The feeling is so mutual.

A couple of skirts Christina has sewn for me!

The Importance of Art: Maua Mazuri

IMG_5446

Last week, I finished my very first project in the village, of the projects that can be finished (agriculture and health projects tend to be an ongoing thing, hence the sustainability portion of Peace Corps). Maua Mazuri, which I’ve blogged about before, came to a close. 11 of the 15 girls who originally began the program, ages 12-13, graduated.

In our village, there is little to no art, and this entire program was a roller coaster for me. The program is designed to teach life skills through various art forms such as music, dance, watercolor, drawing, acting, and poetry. It touches on topics including HIV/AIDS education, self-awareness, creativity, confidence, gender roles, and individuality. For many of the classes, I left after the two hour sessions feeling happy that the girls had a great time, yet frustrated because I was trying to teach a program that relied on Western-teaching styles and required critical thinking and creativity, which are just not taught or used here in the village, and as I found out, cannot be taught in a 12 week time period. Eventually, I accepted that the life skills that I was trying to teach would probably not be absorbed by the girls, but that introducing them to art would be a success in itself. Their smiles always made the classes worth it, anyways. So I continued on.

In April I visited Zanzibar, probably the most well-known part of Tanzania aside from Kilimanjaro. There were tourists all throughout Stonetown, and because of this, there were many artists selling their art. I couldn’t believe that there was so much art to be found on this island, yet the farther inland you go on mainland Tanzania, art becomes a rare find. I decided to duck into a random art shop and chat with the artist about his background. I met Ramadhan Awesu Saleh, who told me he began learning art in primary school and fell in love. He eventually went on to study at an art college in Dar es Salaam. His walls were lined with oil, acrylic, and watercolor paintings of various sizes, all depicting life on Zanzibar, and of course Tanzania’s wildlife which many tourists come to see on safari. As we were chatting, he was working carefully on a watercolor showing the small Arab Medina style streets of Zanzibar. I told him that I was teaching art in a village in Njombe to young girls, and he continually emphasized how important this work is. He told me that young Tanzanians have little opportunity for self-expression in the way that art allows. His words jazzed me up to finish the Maua Mazuri program. As I was leaving, he called me back and handed me one of his matted watercolors, a gift for our village. On the back, he wrote his name and a note to the girls. “Art is a privilege but also a way to a good life. Keep creating.”

I left not only refreshed to continue the last few weeks of Maua, but also reflecting on the privilege of art. All forms of art are a privilege, but they are also so powerful. As a child, I was very lucky to go to a public elementary school that valued art and gave every student art classes once per week as well as music classes. Not every child in the US is afforded this privilege, let alone the world. Beginning in the fourth grade, my parents invested in a flute for me, and later a slide trombone, allowing me to grow up with music and learning to read both clefs, and I was able to continue playing into college. My parents also encouraged my drawing, buying me books on how to draw horses. My artwork could be found hanging on the fridge, portraits of our horses hanging in frames in the barn, and they would drive me to and from poetry slams in high school. I am incredibly lucky to have had my creativity supported in this way. And now that I’ve discovered how important of an outlet art can be, especially through the difficult preteen and teenage years, I am happy to share any knowledge and art supplies I can with any child, no matter their background. I truly believe every child who wants to explore the arts should have that opportunity.

After this reflection, I realized that Maua Mazuri, even if life skills were not being picked up as they were intended, could only be a positive experience for me and for the girls I was working with. So we continued with classes and eventually reached graduation day. Before the girls received their certificates, we did a post-test which assessed all the life skills taught throughout the course. The girls had taken the exact same test twelve weeks before, scoring fairly low in areas such as HIV knowledge and comfort in interacting with people who have HIV, ideas of challenging gender roles, confidence in speaking in front of others, and ease in expressing emotions. After the post-test, I gave out the certificates, we had a little celebration, we danced, and the girls raced back to their dorms to chat before dinner. I returned to my house, sat down with their post-tests, and started reading their responses and comparing them to the pre-test.

Almost every girl scored significantly higher than her pre-test, and reported higher self-esteem, self-confidence, feeling that it’s ok to express individuality, and an increase in feeling it’s ok to show emotion. They now have learned that men can also care for and raise babies, that women can affect change in Tanzania, and that art can help them in expressing their emotions and dealing with life struggles. I couldn’t believe the results I was reading. Through art, they actually learned all of the intended life skills. With that, I am so proud to say my first project was a success, not because of me, but because of the girls’ eagerness to try new things and participate in a new style of education. I am so grateful to have observed the change that art can make, and to have worked with the girls that I did. They are young, bright agents for change in rural Tanzania, and now, they are artists.

 

 

Faces of Mambegu: Mama Kaliyakoo

IMG_5080If you take a left onto the main path by my house, follow the path to the end, and take another left, the first house you see, next to the pit where they make bricks, is Mama Kaliyakoo’s house, my favorite hangout spot in the village. I first met Mama Kaliyakoo during my second day in my village. My counterpart Neema took me to her house, where she operates a little “duka,” and told me that’s where I could go if I wanted maandazi or whatever fruits were in season, which were bananas and avocados at the time. I was overwhelmed when I walked into the duka, because there were eight women crowded in the small room, all staring at the foreigner who landed in their village for two years. But Mama Kaliyakoo was so warm and welcoming, always smiling, and I instantly knew I had a safe haven in her house.

The next time I went to her house, I was in search of eggs to buy. She only had two left for her family, and no extras to sell, but she cooked those two eggs for me and sat with me sipping tea. That’s very characteristic of her: always giving. It was one of the first times I had gone to someone’s house just to chat, without my dictionaries or a work-related agenda, and I was nervous. But she simply sat with me and talked the entire time. She talked so fast and switched from Kiswahili to our tribal language, kibena, on and off frequently, so I was really intimidated. But she is a talker, which I soon learned about her, which is one of the reasons I love spending time with her. She can talk at me for hours, and never expect me to respond.

Now that my language is better, I understand that she’s usually giving me her life story or all of the village gossip, which is always amusing. But I never get nervous about not understanding something around her because she has the world’s friendliest faces.

Mama Kaliyakoo isn’t only smiles and chit-chat, she’s also an incredible business woman. She operates a little shop out of her house and is currently building another at a different location in our village. Her house is the perfect location for a shop because it’s right next to the primary school. Every time I’m sitting in there, school children come by for various items: homemade maandazi (like an old fashioned doughnut), pens, notebooks, bananas, candy, tomatoes to bring home to mom, soda…you name it she has it. She loves to help the kids out, always letting them have an extra piece of candy and telling them to say hi to their mom for her. Sometimes I find the school cook sitting in Mama Kaliyakoo’s house, cooking the evening meal for the boarding students over Mama Kaliyakoo’s fire, chatting with her 23 year old daughter.

In order to operate her shop, she has people importing things from various towns for her. Today, I went to her house to share some cookies I had baked, but she wasn’t there. I went to another part of the village where men usually hang out and the bus stops, and there she was, hovering by the road, cell phone in hand. She immediately greeted me and started telling me that she’s waiting for things from a town called “Chimala” but the bus is late and the man who’s moving the bags for her won’t answer her calls. She apologized, and said she would deal with it later, and we walked back to her house together. She raises her prices just enough to make a profit after paying for the items she imports from town and transport, but not too much that people won’t go to her shop. And every time I visit her, her house is full of people. It’s not only where people go to buy what they need, but where women can go to take a break from the household chores and just gossip together; Mama Kaliyakoo is always cooking something for all of her visitors. Today, in a span of three hours, she fed me three bowls of “Kande” which is a stew-like mix of corn and beans, half of a pumpkin, an ear of grilled corn, and half of an avocado. Everyone in the shop was eating. Her hang-out atmosphere of her shop is what makes it work so well, and actually helps her build a profit.

As I left today, she walked me partway to my house before having to turn back to help children who were just getting out of school. She told me she loves when I come and that the other mamas love it too. “Tunaongea, tunacheka, tumefurahi sana.” We talk, we laugh, we’re all happy. That just about sums up every visit with Mama Kaliyakoo.

IMG_5087

Coming Home

(null)
This is my house!

After six weeks of travel, I climbed onto my village bus “Masia” with my huge backpack and two duffels in tow. As I climbed down the aisle, carefully navigating the huge sacks of corn, rice, and ugali flour that lay on the floor, I heard someone yell “Mikaela, umerudi!” (You have returned!). All of the anxiety I had been feeling about returning back to my village, about feeling alone, and the anticipation of loneliness and isolation I would feel, dissipated. I was caught off guard by my feelings of happiness and relief. After weeks of living out of bags, experiencing 30+ hours of bus time, and sharing hostel showers, I was finally going back to my own house. I was coming home.

I have officially been at my site for over a year, and I have under a year left of Peace Corps. That’s a weird feeling. All of a sudden, I have a deadline for my projects. I have to get them up and running. It’s now sinking in that, whereas before everything was new and I would experience it again, everything I experience for the next year will be the last time. One more sunflower harvest, one more corn harvest, one more dry season, one more rainy season, one more chance to watch the entire village turn into a quaint oxen-powered farming community, one more school year, etc. But this second year has brought a new and incredible feeling of home that I never expected to have here.

IMG_5127Exactly a year ago in my journal, I listed all of the things I missed about my home in the U.S. I remember writing the entry, sitting alone in my courtyard, the sun shining down, and tears pouring out of my eyes. Home couldn’t have felt more far away. I wrote that I missed “clean running water, showers, stoves and ovens, dish washers, washing machines, and most of all reliable electricity…” but it didn’t stop there. “I miss dressing however I want, the feeling of carpet under my feet, sleeping without a mosquito net and not worrying about strange bugs, lizards, rats, and bats…I especially miss my family and friends…I miss the gym…”  Somewhere along the way, I stopped focusing on what I missed so much about home, and I focused on building my life here in Mambegu. It was then that I realized how much I have here, and reevaluated everything I once thought was a necessity in my life. That’s when happiness came.

My first night back in my village after six weeks of travel, I slept soundly in my own bed with my cat curled up beside me. When I woke up, I was overwhelmed with happiness. The following day, I walked through my village, past all of the brick houses, surrounded by corn, smoke curling out of the fires where people were cooking. People seemed genuinely happy to see me, and that was an incredible feeling. One mama, who is a member of the HIV group I work with, stopped her work in the cornfield and came out to hug me, which is usually unheard of in this culture. As I continued down the winding dirt paths, lined with sisal, sunflowers, and grazing goats, people invited me into their homes and said they were afraid I left. I sat and helped one woman who is about to give birth write a list of possible names for her baby. I was gifted a lot of corn from another woman as a welcome home.

IMG_5040Sometimes I get really stressed out that I’m not doing enough projects, or that I’m not making enough effort to get them going. Any volunteer here knows how hard it can be to get a project started, let alone finished. Things come up, meetings get cancelled, and people show up three hours late or not at all. A great friend recently reminded me that a huge part of the Peace Corps experience is simply living here, in this community, talking with people, learning about them, and sharing my own culture with them. It is enough to be friends with the people in this wonderful community. It is a success to call this home, and to truly feel that it is my home. Coming home is enough.

Pictured Above: A year ago I moved into my house and it had nothing in it: no furniture, not even a stove. Now it is totally my own space!

IMG_5010
Of course coming home also means snuggling with this adorable little lady!

I Didn’t Know I Was Pregnant- TZ Edition

A couple of weeks ago I invited my friend Dennis hiking. He replied, “Maybe,” and explained that his weekly bee meeting will be on Sunday morning, and he could only skip it to come hiking if his counterpart would be able to lead the meeting.

Most of us have met each other’s counterparts. Dennis’s counterpart is named Aulelio Kalili, and is one of my favorite Tanzanians I’ve met. He has a big Cheshire cat grin and is always happy to see me. When I first met Kalili, I thought he was insane or that something was just a little off. I soon realized that his big smile simply never leaves his face, even if something is wrong. This is one of his charms.

Knowing that Kalili is completely capable of leading the Sunday bee meeting, I asked Dennis why he had to check in with him. Dennis said that one of Kalili’s wives had to go to the hospital for surgery on her stomach. Before I get to the surgery part of that sentence, I’d like to talk about Kalili’s marriage situation. In Tanzania it is not uncommon for a man to have two wives. There are only two rules to this: both wives have to agree to the second marriage, and the man has to have enough money to provide for both families. In Tanzania you do not have to be Muslim to have more than one wife, in fact many Christians, such as Kalili, practice polygamy as well.

After hearing about Kalili’s wife’s stomach issues, I understood why Dennis was on the fence about hiking, and I asked him to keep me updated about her health.

In the end, Dennis came hiking. On our way back to site, we were walking through our banking town, about to get on our respective buses back to our villages. As we walked down the dusty dirt paths of Makambako under the gray sky, backs sore with the weight of our hiking packs, Dennis exclaimed “That looks like Kalili’s wife!” As we got closer, the woman had stopped walking and was smiling at Dennis.

We greeted her, and she pointed us in the direction of a woman sitting on the ground: Kalili’s younger wife. We all walked over together and greeted each other in the local language, Kibena. Standing next to the younger wife was another woman with a baby wrapped up in a kanga and suspended tightly at her chest. Kalili’s younger wife said to Dennis “We have a guest” and pointed at the infant. Dennis and I looked at the baby, then each other in confusion. Yes, the baby was indeed the younger wife’s newborn. After living in the village almost a year and working closely with Kalili and his family, Dennis had no idea that Kalili’s younger wife was pregnant. The mother explained that the baby did not yet have a name (another Tanzanian custom is to wait a couple of weeks before naming the baby), and that she would wait to talk with the baba (Kalili) to see what the name will be. Dennis and I later discussed what we usually come around to in our conversations: What a strange place we are living in.

Baffled, I was immediately brought back to September when I was working side-by-side with my counterpart, Neema, and she casually told me my close friend Evelina, who I had spent almost every day with for the past 5 months, had just had a baby. I had no idea that Evelina was pregnant, and Neema said she didn’t either. How could I miss it? Evelina had never stopped doing farm work, walking around like normal, doing all of the house chores. She even carried me out of church when I fainted in between the pews. How could that woman have a baby? How could I not notice she was 9 months pregnant?

I recently went to Neema’s house to tell her about Kalili’s wife and ask about pregnancy here in the Wabena tribe. She told me that people do not acknowledge pregnancies. It stays like a secret within the family. Even if others know, they do not say anything. The expectant mothers swaddle themselves in many layers of fabric, or “kitenge” to hide their swelling bellies. Neema said that the elders do not like the look of a pregnant belly, and that people are disturbed by the sight of the baby moving in the womb, so it is best to remain modest and it is crucial for a woman to cover up her body (one of the few things that I can’t come to terms with in this culture). Once the baby is born, they must wait for some time to be named. There is no celebration of pregnancy, no baby showers, no congratulations in order for the expectant parents until after delivery, and especially no photo shoots of mothers with big bellies.

As I told Neema about our customs for expectant mothers in America, she could not believe it. She couldn’t believe we would have parties just for expectant mothers where we shower them with gifts. Of course, there are fewer women getting pregnant in America than in my Tanzanian village, where the average family has 4 children and women begin giving birth around 20 years old. It was really fun to compare the two different cultures and how we welcome new life into the world. Each of us finds the others’ custom equally as strange and fascinating. But at least now I know, this isn’t a real-life Tanzanian episode of “I Didn’t Know I Was Pregnant.”

A Day in the Life

img_3664Last Sunday I had the treat of being able to talk on the phone with my mom, my two cousins, and my aunt. As I settled into the one corner of my house that gets enough service to call America, my younger cousin Shayelagh answered the phone with a bright, “Tell us about your life!” My response was “I wake up and poop in a hole, boil my drinking water, sweep my concrete floors…” It’s hard for me to know what to say when I have my eyes closed, imagining myself in their cozy living room in front of a wood stove, laying on the comfortable couch, surrounded by the love of my family. In those moments when I’m on the phone with home, I struggle to remain positive because I miss the comforts of America so much.

I write all of this not to dwell on what I’m missing, but because today I’ve had a great day. Not that everyday isn’t great- I am thoroughly enjoying my Peace Corps experience, and after a year in country have figured out how to be happy with my new pace of life and content in my village. I am grateful for my situation. But today was a really great day, and so I would like to use it as an example of what my Peace Corps life is actually like.

7:00 AM- I wake up naturally to the sound of rain sprinkling on the tin roof. Through the crack in my curtain I can see it’s foggy and drizzling outside, so I decide to pull the blankets up over my shoulders and let myself sleep until 8.

7:30 AM- I can’t fall back asleep, so I get out of bed (carefully so as not to disturb the princess I sleep with every night…AKA my cat), walk into the main room of my house, grab my broom and give each of the 3 rooms a quick sweep. I then fill up my water bottle with some water that has been filtering overnight, and put on a pot of new water to boil for today’s supply of drinking water. I need to do laundry, but it doesn’t look like the sun is going to come out, so I won’t be able to. I check the tubs I’ve laid out to see how much water I have collected from the rain during the night, as my spigot is broken and the collected water will be all I have for the day. I see I have 3 full buckets, enough to wash dishes, boil drinking water, mop my floor (with my hands of course), and even take a bath later!

img_3724

8 AM: Morning workout

9 AM: I boil water for tea and make some oats. I turn on my computer and sit down with the itemized budget my Village Executive Officer (similar to a mayor or town clerk) has written out for the grant I am writing to build girls’ bathrooms at the school. I fill out the excel sheets and organize the paper work.

11 AM: I wash dishes, sweep and mop my house, reorganize my bedroom, fold laundry, etc.

12 PM: I scrub some potatoes, cut them, and begin boiling them. Unfortunately you can’t buy a small amount of potatoes in my banking town, you have to buy them by huge bucketfuls. Consequently, I have been eating mashed potatoes for the past week at least two times per day. Today might have been the last day for a while.

12:45 PM: I lay down for a nap. It’s a rough life, I know.

1:30 PM: I wake up and get ready for my meeting with my counterpart, Neema, and the Village Executive Officer. As previously mentioned, I am writing a grant to build bathrooms for the girls at the primary school. Many girls are currently missing 4 days- 1 week of school because they have started their periods and the bathrooms have no doors, are next to the boys’ bathrooms, do not have water inside, and are unsanitary (literally a hole in the  middle of a dirt floor). The girls skip school because they do not have privacy to keep themselves clean when menstruating, and are falling behind in their studies. Part of Peace Corps’ grant policy is that the village has to contribute at least 25% of the project cost, this way it makes them responsible for the project as well as shows that Peace Corps’ development approach isn’t to just hand over money; we work together to create change. So, today’s meeting is about what the village will be contributing in the construction of these bathrooms.

The walk to the village office takes me about 20 minutes. I walk on tiny dirt paths through cornfields, past mud and brick homes, I share the path with many children who are excited to talk with me, and I pass pigs and goats grazing on the sides of the path. When I arrive at the office, I am 10 minutes late (early by Tanzanian standards) but my counterpart had feared I wasn’t coming because “Americans are always on time.”

img_3754

3 PM: I return back to my house. I eat some almonds and read a few pages of a book.

4 PM: I leave my house and meet my 2 counterparts at the primary school to begin “Maua Mazuri” class. We are currently working with 6th grade girls, aged 12 & 13, to teach them life skills through the use of art. Today we are focusing on dealing with emotions by practicing dance. The girls have never been exposed to dance forms aside from the line-type dance moves Tanzanians do at church. These dance moves are hilarious and don’t have too much variation, but Tanzanians do them well. If you ever want to experience second-hand awkwardness, you should watch a Tanzanian gospel music video.

We begin the class by doing a dance warm-up to a Beyonce song. Within seconds the girls are in giggles, all smiles as we dance together. This is the first time in class they are really coming out of their shells. We then gather around to watch videos of various dance forms around the world: ballet, latin, cheer, tap, East African, and even musical theater. The girls are wide-eyed. They cannot believe what they are seeing. They especially loved the tap dancing because it made them laugh, and they liked the ballet and cheer as well. They told me they had never seen dance like that before, and asked if I could get more dance videos.

They then were instructed to choreograph their own dances based on an emotion they were given. The four emotions were happiness, anger, love, and sadness. They all did the same step dances you might see in church, but they changed their faces based on the emotions they were given, which I found incredibly hilarious and cute. Critical thinking and creativity are skills we are raised with in the United States. We are taught to be unique and creative as early as Pre-School, and even our toys (think: Linkin Logs, Legos, Puzzles, etc.) teach us how to construct, build, and think critically about things. These skills do not exist here. So Tanzanians are taught in school to copy what the teacher does, to memorize answers for a test, and to not necessarily ask why something is the way it is. This is something I’ve been thinking a lot about lately, and has been frustrating to me. However, I am so happy to be doing a project utilizing the arts and teaching creativity, even if it is sometimes a painful process. I couldn’t be frustrated watching these dances, though, even though they were not creative to this culture, because the girls were just too cute. And they really did put all of their effort into turning the few dance moves they knew into dance moves showcasing their given emotion.

We had a dance circle to end class. As you might expect, the girls did whatever dance move I did. But, we had a lot of fun, and it means a lot to be silly with girls who rarely get to see adult teachers acting funny with them. I was so happy that they finally let loose. I foresee more fun and valuable moments in our class together.

img_3821

6 PM: I return home, make dinner, heat some water for a bucket bath, and call some friends from home.

9 PM: I draw and write on some flip charts in preparation for Sunday’s Grassroot Soccer class. On Sunday we will be utilizing soccer to talk about the differences in sex and gender with grade 7 girls.

10 PM: I am finishing this blog post, and think I’m going to get into bed. Tomorrow I’ll travel to town where I can get internet and upload this blog. The bus comes at 6:30 AM, so I will have to be up a little earlier than normal. I’m so excited to be able to eat meat and yogurt, which I can’t get in my village, and replenish my diet for the next week or two.

This is one of my better days in Mambegu, a day in my Peace Corps life

img_3735

The Rain Down in Africa

oxenWhen I first learned about rain dances I was just a young girl, but I remember marveling at how people could possibly think that dancing would make the rain come. I imagined many Africans in loin cloths dancing in a circle and chanting up towards the sky. I haven’t seen anyone in my village do any rain dances (nor have I seen anyone in a loin cloth) but this year, as we waited for the rains to come in the Southern Highlands, I was so desperate for rain I was ready to teach the villagers about rain dances.

I’ll never forget the first day the rains poured down over Mambegu in December. Our village had not seen any rain since I moved there in April, and things were bone dry. Usually the rain begins in November, and people can begin planting their crops in December. This year Mambegu saw only 2 days of heavy rain in December, and villagers were beginning to get worried. The soil was too hard and dry to work, but the villagers depend on their corn supply for both food (ugali is a Tanzanian staple at almost every meal, and made with corn flour) and to sell to the government for money in September. Everyone’s livelihoods are dependent on the rain.

With the onset of rain, the village awoke as if from a long hibernation. It approached the village slowly. Dark, ominous storm clouds gathered over the vast farm land between our village and the neighboring villages Korintho and Durham. Although taking their time, the clouds were surely headed in our direction. The sun faded away in the haze, and sheets of slate grey rain were moving visibly over the mountains. I heard the sprinkle on my tin roof for only minutes before the sky opened and a downpour let loose. I couldn’t hear anything above the deafening roar. Standing in my doorway, enjoying the fresh breeze of the storm, I watched as the rain pelted down and filled within only minutes huge tubs and buckets that I had laid out. I was so grateful for the water, as my spigot had run dry in the rain’s absence.

In a spur-of-the-moment decision, I realized it had been a week since my hair had been washed. I grabbed my shampoo and conditioner, stripped down, and stepped out under the roof gutter, where the rain was angrily spilling down into the dirt below my feet. I showered in the frigid water, teeth chattering, moving as quickly as possible, before feeling cleaner than I had in months and running back into the safety of my house for my towel and warm clothes. I was giddy. Everything felt different once the rain came, and that change was evident throughout the village in the following week.

Immediately following the rains, the soils were finally workable. As I walked through the village, I saw every field filled with teams of oxen trailed by plows and male teamsters. It was so quaint: mud brick homes with thatched roofs, oxen working the fields, and women following, pressing corn seeds into the soil with their bare feet, skirts and kitenge billowing in the wind, all in front of a gorgeous mountain backdrop. Everything in the village had come to a grinding halt, yet everything had come alive at the same time. All of the little “dukas” or stores were closed during the day, as every villager helped with the tilling and planting of corn and beans. It was impossible to not feel the energy the rain had brought on. Everywhere in the village, chatter and laughing echoed. People were uplifted. After spending so much time wondering when the rains would come, there was finally promise of another year of food.

For the first time in my life, I not only knew that water is life, but fully understood the extent of that statement. And rain is something to dance for.

oxen2